{"created":"2023-06-20T13:43:32.990481+00:00","id":1321,"links":{},"metadata":{"_buckets":{"deposit":"8c48a233-6314-48fa-9ec9-d228fde516e5"},"_deposit":{"created_by":2,"id":"1321","owners":[2],"pid":{"revision_id":0,"type":"depid","value":"1321"},"status":"published"},"_oai":{"id":"oai:fut.repo.nii.ac.jp:00001321","sets":["1"]},"author_link":["13808","13809"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2009-08-01","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"39","bibliographicPageEnd":"460","bibliographicPageStart":"457","bibliographic_titles":[{}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"For Ango Sakaguchi, the beauty of literature exists in the lonely world of sadness and sorrow of human space. He represents the beauty of emptiness and integrated through a series of works, such as Wind Doctor, Purple Dainagon, The under of Full-bloomed of Forest of Cherry Blossoms, Princess Yonaga and Mimio, to seek for the ultimate literary aesthetics in his literature. After all, his aesthetic sense of nihilist is consistent with the Japanese spirit, which simplicity and nonexistent are considered very important.","subitem_description_type":"Abstract"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.57375/00001315","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"福井工業大学"}]},"item_10002_relation_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_relation_type_id":{"subitem_relation_type_id_text":"TF00009774","subitem_relation_type_select":"NCID"}}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"18844510 / 18844456","subitem_source_identifier_type":"ISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"王, 愛武"}],"nameIdentifiers":[{"nameIdentifier":"13808","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Wang, Aiwu","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"13809","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2023-04-12"}],"displaytype":"detail","filename":"kiyou3961.pdf","filesize":[{"value":"3.5 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"kiyou3961.pdf","url":"https://fut.repo.nii.ac.jp/record/1321/files/kiyou3961.pdf"},"version_id":"6ebef373-c2b5-49bb-a76d-52ce3f31c438"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"坂口安吾","subitem_subject_scheme":"Other"},{"subitem_subject":"文学","subitem_subject_scheme":"Other"},{"subitem_subject":"虚無の美","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"坂口安吾文学における虚無の美について","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"坂口安吾文学における虚無の美について"},{"subitem_title":"The Beauty of Nihilist in Ango Sakaguchi's Literature","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"2","path":["1"],"pubdate":{"attribute_name":"公開日","attribute_value":"2009-11-30"},"publish_date":"2009-11-30","publish_status":"0","recid":"1321","relation_version_is_last":true,"title":["坂口安吾文学における虚無の美について"],"weko_creator_id":"2","weko_shared_id":-1},"updated":"2023-06-20T14:15:27.244274+00:00"}